Life beyond the kit zoom lens

By now you know: if you truly want to enjoy photography you simply have to move beyond the standard, kit zoom lens that came with your camera. The 18-55mm focal length range is quite alright for most of our everyday photography needs (group shots, landscapes, portraits), but the aperture limitation is very restrictive. Having a largest aperture somewhere between f/3.5 and f/5.6 is simply not enough for low-light photography and producing the shallow depth-of-field that we all love.

You want another lens. And you’re on a budget. Here are my recommendations for relatively inexpensive solutions.

Large Aperture in a Compact Body



The most affordable lens on the planet is the 50mm, f/1.8 prime. It’s a no-brainer. Currently priced around £65-75 there’s not much to think about.

If you have a bit more to spend you can go for the 50mm, f/1.4 version. Is it better? Yes, it is. Is it more expensive? Of course it is. (Currently about £220-280.)

Canon 50mm primes

Once you’ve fallen in love with primes, you might want to get your hands on other Canon lenses like the 35mm, f/2 (the ‘standard’ lens unless you have a full frame camera), the 24mm, f/2.8 (a versatile lens much preferred by street photographers) or the 28mm, f/1.8. Check your latest prices and consider them an investment.

Canon 24mm – 28mm – 35mm primes


Nikon lenses are beautiful creatures but the denominations can be a bit overwhelming. You have to be aware of one important ‘letter’ that’s always written on the lens. Nikon lenses come in two flavours: G and D. They could be essentially the same and the optical quality can be identical. The difference?

G lenses do not have a manual aperture ring and their autofocus is compatible with all currently available Nikon cameras.

D lenses have a manual aperture ring and their autofocus is not compatible with every camera. This means that while the lenses will perfectly fit on any Nikon camera, AF will not work on all models. It will definitely not work on the otherwise very popular D3xxx and D5xxx series.

Keeping this in mind, you may want to acquire either the 50mm, f/1.8 G or D lens. The former is a bit more expensive (currently around £135), the latter is somewhat cheaper (going for £80-90).

If you are looking for something a bit wider, there is always the 35mm, f/1.8 G lens. Its price is basically the same as that of its 50mm sibling.

Which one to go for if you can only have one of them? The 50mm lens will be great for portraits and close-ups, the 35mm is a bit wider, you’ll be able to fit more into the frame. To make up your mind use your kit zoom as a guide.

Flexibility that Comes at a Price


If you prefer the versatility of a zoom lens, I recommend that you get a zoom similar in range to the kit lens but with an aperture that allows you to shoot in low light without having to push your ISO up too much. And that means f/2.8.

The budget option means going for a third-party lens. Sigma, Tamron, Tokina all make very fine lenses.

The Tamron 17-50mm, f/2.8 zoom is currently priced around £240-290.

The Sigma lens with exactly the same specifications can picked up for slightly less, with prices starting in certain webstores as low as £220.

If you have a bigger budget, you might want to get the Canon or the Nikon version of these lenses. Buying a new lens is like buying a new car, so off the shelf the Canon 17-55mm, f/2.8 zoom will make your wallet £525-580 lighter, the astonishingly awesome Nikon 17-55mm, f/2.8 zoom, depending on the vendor anywhere between £860-1050.

The hefty price tag is not a marketing trick, these lenses are awesome. If you haven’t been good enough to ask Santa for these lenses and your birthday is still long months away I’d recommend getting them second-hand. Lenses are an investment (in case you need an argument to justify the purchase for yourself or your Significant Other), if you take good care of them they will last decades and will make even your grandchildren happy.

György László


György (a.k.a Gyuri and pronounced [dew-rie]) trained as a cinematographer and has been in the industry for over 15 years. He shoots independent features, shorts, documentaries. About page →